![]() We can check this against our rendered offline and edit and address any issues that come up from relinking. What is Online Editing?Īfter you have creatively locked your edit in the offline stage this is where we can either take our timeline to another piece of software or simply relink from our proxies to our raw high resolution camera files. Time wasted where I could’ve been editing and crafting a better story. I have lost many an afternoon trying to get high-res files to playback, looking for the magic settings in my video editing software to make it all magically work only to end up creating proxies anyway. This is what the offline editing stage is all about, crafting our story so it is the best and clearest it can be. You can simply sit down and enjoy the creative process. There is no need to worry about stuttering playback or any technical troubleshooting. These codecs are low bandwidth HD files that will allow us to quickly try out new cuts for our story. These files are commonly called proxies and they are usually in a codec like Apple ProRes 422, LT, and proxy or Avid DNxHD, 36, 80, and 115. The most effective method is to transfer your footage to your edit drive-or, if you’re working with a production team, to network attached storage (NAS) like the OWC Jellyfish-and then have your NLE transcode your files to something that is easier on your computer and storage for playback. What is offline editing?ĨK and even some 4K files are very demanding on your computer, depending on its specs. What happened? How can life be so cruel? But before you hurl your MacBook Pro across the room, let’s take a deep breath. Your perfectly lit scene starts stuttering through like YouTube over a dial up connection circa 2005. It’s all been great up until this moment. Hit that space bar and let’s start checking out some takes! Your hard drive is plugged in, Adobe Premiere is fired up (hasn’t crashed… yet), and your project bin full of footage. ![]() I bet you can’t wait to start cutting together all that delicious 16-bit footage. Your masterpiece shot in 8K raw at 240fps is going to look stunning on the big screen.
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